Tuesday, February 25, 2014

The DCCA's Creative Arts Club: ART SHOW OPPORTUNITY!!!

The DCCA's Creative Arts Club: ART SHOW OPPORTUNITY!!!: The Newark Arts Alliance ‘Young at Art Show’ Submissions due April 1- May 3 Art of any media by kids K –12; 3 prize categories: 5-9 ...

Thursday, February 20, 2014

Photos, Images and Sharing

Pinterest is an awesome way to gather information, explore ideas and art, and to share your own work with others. In Pinterest you can create boards to organize you thoughts and interests in visual language. You can start a convo about an image, ask questions and gather resources. Beware! It can be addicting! This site can be used for a variety of purposes, but I like to think of it as my personal gallery I curate. So check it out! Make an account!? www.pinterest.com

Saturday, February 8, 2014

iPad Art - Morgan Freeman Finger Painting





Using the app Procreate, Brittish artist, Kyle Lambert spent over 200 hours and made over 285,000 brushstrokes, a process that he documented in a transfixing time lapse video. Things start getting really nuts after about the one minute mark.



Tuesday, February 4, 2014

Portfolio Requirements for College

SUNDAY, NOVEMBER 9TH Portfolio day is in PHILLY!!!!
 
PORTFOLIO REQUIREMENTS**
**Individual Schools have specific requirements.  Make sure to visit the schools of your choice for specific requirements. Here are some links:
UNIVERSITY OF DE (Newark, DE)
DCAD (Wilmington, DE)
UNIVERSITY OF THE ARTS (Philly, PA)
General Portfolios should include 15-20 pieces in at least two of the following forms:
Examples of Two-Dimensional Work:
  • Drawings from life: figure drawing, still life, landscape
  • Drawings in charcoal, ink, pastel, pencil, etc.
  • Paintings: oil, acrylic, watercolor, etc.
  • Sketchbooks
  • Illustration, storyboards, character design, concept art
  • Prints: traditional (etching, monotypes, silkscreen, etc.) and digital
  • Design: posters, book covers, web graphics, use of typography
  • Collage, mixed media
  • Photography: traditional, digital, black and white, color
Examples of Three-Dimensional Work:
  • Sculpture: metal, plaster, stone, wood, etc.
  • Crafts: ceramics, metals, textile design, fibers, glass, jewelry, furniture (wood)
  • Product and toy design
  • Book arts
  • Fashion, costume design
  • Extended media: architectural models, mixed media, model construction, set design
  • Installation: site specific objects in the environment
Examples of Time-Based Media:
  • Animation production: individual and/or collaborative productions
  • Film/video production: individual and/or collaborative productions - the work should have a clear beginning, middle and end; you should have primary responsibility for it.
  • Interactive media
  • Website authoring: site design, site graphics
  • Flash or Director animations or interactive productions
  • Interactive CD-ROM or DVD work combining more than one art form
DEVELOPING YOUR PORTFOLIO
An artist’s portfolio is a way to present your talents, express your individuality, and tell us something about your formative creative visual experiences. We would like to see recent, original work that demonstrates your strengths and experience in the visual arts. The selection of pieces in your portfolio will tell us a great deal about you. Choose thoughtfully and carefully those pieces you think best demonstrate your talent and potential for further development in the art, media, and design professions. Just as all talents are different, so are the backgrounds of all students. The Admission Committee keeps this in mind when reviewing your work; we know that applicants’ portfolios may reflect a wide range of experience.
Students looking for feedback on their portfolios during the development process can take advantage of the following options:
  • Schedule a Preliminary at your school of choice
  • Portfolio Review National Portfolio Day: National Portfolio Days offer students another opportunity for a preliminary portfolio review. At these events, you can receive feedback on your portfolio-in-progress from  school representative.
  • PRESENTING YOUR PORTFOLIO
While the presentation of your portfolio needn’t be elaborate, it should demonstrate the respect you have for your work. If you show us your portfolio in person, you should be able to talk about it—what each project involved, how you made design decisions, what you learned from the experience, and how you feel about the finished piece. It is not necessary for you to mount or mat your work as long as it is presented as a
neat and coherent body of work. Group the pieces in a specific order, such as by medium, by size, by date completed, or by subject matter. Both you and your interviewer will then have an easier time grasping the full import of what you show. Work done in charcoal, chalk or pastels should be sprayed with fixative and covered with a clean sheet of paper to protect it.